Revitalization of Celempungan Arts through Community Empowerment and Digital Innovation at the Kaboa Pariuk Studio, Cicalengka District, Bandung Regency

Asep Wasta; Arni Apriani; Nandhini Hudha Anggarasari; M. Faiz Nabil; Faza Luthfi Lukmanul Hakim; Dini Indriani; Agung Riwayat Munggaran

doi:10.35568/abdimas.v8i4.7235

Authors

Asep Wasta Universitas Muhammadiyah Tasikmalaya, Tasikmalaya, Indonesia
Arni Apriani Universitas Muhammadiyah Tasikmalaya, Tasikmalaya, Indonesia
Nandhini Hudha Anggarasari Universitas Muhammadiyah Tasikmalaya
M. Faiz Nabil Universitas Muhammadiyah Tasikmalaya, Tasikmalaya, Indonesia
Faza Luthfi Lukmanul Hakim Universitas Muhammadiyah Tasikmalaya, Tasikmalaya, Indonesia
Dini Indriani Universitas Muhammadiyah Tasikmalaya, Tasikmalaya, Indonesia
Agung Riwayat Munggaran Universitas Muhammadiyah Tasikmalaya, Tasikmalaya, Indonesia

DOI:

https://doi.org/10.35568/abdimas.v8i4.7235

Keywords:

Celempungan , Sundanese Musical Heritage , Cultural Revitalization , Community Empowerment , Digital Promotion

Abstract

Celempungan art is a traditional Sundanese musical heritage that is gradually being marginalized by modernization and the influence of global culture. This community service project aimed to revitalize Celempungan through intergenerational collaboration at Sanggar Kaboa Pariuk in Cicalengka, Bandung Regency. The program consisted of socialization, workshops, training, mentoring, artistic performances, and digital promotion. The results demonstrated increased youth participation, improved artistic skills, strengthened community awareness, and enhanced economic opportunities through cultural products. The findings highlight that cultural revitalization programs require both traditional transmission and the integration of digital technology to ensure sustainability.

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